Great barrier reef map5/3/2023 A 2017 paper from Nature stated that increasing ocean temperatures have led to the death of an 800-kilometer stretch in the northern part of the reef.Latitude and longitude coordinates are: -18.156290, 147.485962. Moreover, the reef has lost more than half of the it’s coral cover since 1985, according to a 2012 study published in the Proceedings of the National Academy of Sciences. In fact, the reef is subject to many environmental threats such as surface runoff, climate change, coral bleaching, dumping of dredging sludge and outbreaks of crown-of-thorns starfish, a venomous starfish that preys on coral polyps. This led to the founding of the Great Barrier Reef Marine Park to limit the impact of human activities and alleviate the environmental burden on the area. Having numerous titles, it is deemed a touristic and fishing hotspot, particularly the Whitsunday Islands and Cairns regions. It was also named a state icon of Queensland by the Queensland National Trust in 2006. The Great Barrier Reef was selected as a UNESCO World Heritage Site in 1981 and was included in the Australian World Heritage list in 2007. Tourism And Threats Snorkelers in the Great Barrier Reef. These species can either be woody or herbaceous, with the woody being situated mainly in the northern islands and the herbaceous in the southern islands. There are 2,195 known plant species in the reef, 3 of those being endemic. Most nesting sites for birds are on islands in the northern and southern regions of the reef, attracting 1.4 to 1.4 million birds, including 22 species of seabirds and 32 species of shorebirds. These species include the green sea turtle, leatherback sea turtle, hawksbill turtle, loggerhead sea turtle, flatback turtle and the Olive Ridley. Fifteen species of seagrass in beds attract the dugongs and turtles, with six species of sea turtles choosing the reef as its breeding spot. Thirty species of crustaceans have been recorded in the reef, such as the dwarf minke whale, Indo-Pacific humpback dolphin and the humpback whale. More than 1,500 species of fish inhabit the reef, such as wrasses, damselfish, triggerfish, angelfish, rays and sharks. The Great Barrier Reef is a biodiversity hotspot, housing at least 450 species of hard coral aa well as anemones, sponges, worms, gastropods, lobsters, crayfish, prawns and crabs. The remains of an ancient barrier reef, similar to the Great Barrier reef, can be found in the Kimberly, Western Australia. km, most of which has grown on top of limestone platforms that date to the Pleistocene phase of reef growth. Shallow water reefs cover an area of 20,679 sq. The corals then grew over these submerged hills to form the present cays and reefs. The continental islands, which were then hills of the coastal plain, became submerged as the sea levels continued to rise. As the sea level rose 20,000 years ago, corals were able to grow higher on the newly submerged maritime margins of the hills of the coastal plain. The calcareous remains of the coral polyps and hydrocorals form the reef framework, while the coralline algae bind these remains together. The reefs however share a common origin: the skeletons and skeletal waste of a mass of living marine organisms. According to the Australian Institute of Marine Sciences, current reef growth began at the Last Glacial Maximum. The Great Barrier Reef Marine Park Authority (GBRMPA) estimates that complete reef structures date back to 600,000 years ago. The land forming the substrate of the reef was originally a coastal plain formed from the erosion of the East Australian Cordillera. The sea level then lowered 10 million years ago, distancing the reef’s substrate from suspended sediments that were inhibiting the coral growth. However, when Queensland was still in tropical water 24 million years ago, the erosion of the East Australian Cordillera created a sedimentation regime, making conditions unsuitable for coral growth. Coral reefs began growing only after the Coral Sea basin was formed. At the same time, volcanic eruptions in Queensland led to central and shield volcanoes and basalt flows, some of which became high islands. The drainage divide in Queensland was moved about 400 km inland after eastern Australia experienced a tectonic uplift, a process where a piece of land increases in elevation due to plate tectonics. The plate tectonic theory states that Australia has moved north during the Cenozoic Era.
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The posterist movie5/3/2023 Hui said many filmmakers refer to Yuen as the "godfather" of film poster art in Hong Kong. Yuen's ground-breaking artwork for the film marked the entry of a new genre of film poster design in Hong Kong. Hui See-wai, the son of Hui Koon-man, says that the meeting between Yuen and Hui's father and uncle - the producers of The Private Eyes - was serendipitous. It was during his time as an art director in an advertising firm in the 1960s that he started fine-tuning his drawing skills. Drawing was more of a hobby he would indulge in, ever since he was a child. Interestingly, Yuen did not receive any formal training in art. These could have drawn the attention of audiences." "I had imbued the posters with attractive elements, or included illustrations of some interesting plot points. "My posters might have helped a bit", said Yuen, laughing at the suggestion. It was believed Yuen's sketches could actually make a film a hit. There was a buzz in the film circles that drawings by Yuen on the poster could go a long way in drawing in the audience. The high demand for his work also had to do with the fact that the film posters created by him became a rage among the public. The likeness of Lee that he was able to create earned him appreciation from beyond Hong Kong. In the 1980s, Yuen created a series of posters for the kung fu movie The Way of the Dragon, starring Lee. "The facial expression of Lee is not easy to grasp," he said. However, drawing martial arts hero Bruce Lee has always been a major challenge. Over the three decades from the 1970s to the 1990s, Yuen had drawn hundreds of famous figures. The over 200 film posters he created were admired for the fun and whimsy he invested them with. The next step was to adapt the chosen photos in the form of sketches and portraits. Then he would pick the faces and situations that seemed to him might make for potential selling points for the movie. He would leaf through albums containing hundreds of 3R-size film stills taken on the set of a movie. Usually Yuen did not get a chance to meet the movie stars he drew. "But the ones I drew had a contemporary feel to them." "In the 1970s, film posters in Hong Kong used to be painted in a traditional Chinese artistic style," said Yuen. The movie was a huge box-office hit, leading to several more commissions for Yuen to produce work on the same lines. It was a turning point in his career, says Yuen, now 75. The poster for The Private Eyes was only Yuen's second artwork for a film. Yuen recalled how he manipulated the use of light and shade in the image, making each strand of hair stand out. There's a comic-book feel to the poster - a jokey vibe about it that was a hit with moviegoers as well as cartoon geeks way back in the 1970s. He gazed at his own drawings of the well-known film stars - Hui Koon-man and Hui Koon-kit - set off against a backdrop of bright hues. Yuen Tai-yung stepped up to face a poster he had drawn for the film, The Private Eyes, in 1976. Stalls like Pop-up Poetry and Bird Eats Fish would bring you a sense of simplicity while experiencing such lovely barter trade.Yuen Tai-yung, who introduced elements of humor and quirkiness to poster art in the golden era of HK films, is back with his latest creations, soon to go on show at Comix Home Base. Then rewind the tape to record your very own secret-to-be-shared. Music, illustrations, stories, food and beverages, you name it!Īt A Secret To A Stranger, you are invited to exchange your intimate secrets with strangers using cassette tapes, sensing the breath, pause and tone, as if he/she is just next to you. Pavilion for Our Harbour by Jason Lam and Sampson Wong invites you to spend some time alone with our Victoria Harbour Henry Chu’s Shadow Harp transforms human bodies into musical instruments by combining physical gestures with music interfaces. Ten new works themed around light and shadow play, and utilized media such as videos, installations, and kinetic sculptures will bring you an exclusive experience in a free open area. |