The posterist movie5/3/2023 Hui said many filmmakers refer to Yuen as the "godfather" of film poster art in Hong Kong. Yuen's ground-breaking artwork for the film marked the entry of a new genre of film poster design in Hong Kong. Hui See-wai, the son of Hui Koon-man, says that the meeting between Yuen and Hui's father and uncle - the producers of The Private Eyes - was serendipitous. It was during his time as an art director in an advertising firm in the 1960s that he started fine-tuning his drawing skills. Drawing was more of a hobby he would indulge in, ever since he was a child. Interestingly, Yuen did not receive any formal training in art. These could have drawn the attention of audiences." "I had imbued the posters with attractive elements, or included illustrations of some interesting plot points. "My posters might have helped a bit", said Yuen, laughing at the suggestion. It was believed Yuen's sketches could actually make a film a hit. There was a buzz in the film circles that drawings by Yuen on the poster could go a long way in drawing in the audience. The high demand for his work also had to do with the fact that the film posters created by him became a rage among the public. The likeness of Lee that he was able to create earned him appreciation from beyond Hong Kong. In the 1980s, Yuen created a series of posters for the kung fu movie The Way of the Dragon, starring Lee. "The facial expression of Lee is not easy to grasp," he said. However, drawing martial arts hero Bruce Lee has always been a major challenge. Over the three decades from the 1970s to the 1990s, Yuen had drawn hundreds of famous figures. The over 200 film posters he created were admired for the fun and whimsy he invested them with. The next step was to adapt the chosen photos in the form of sketches and portraits. Then he would pick the faces and situations that seemed to him might make for potential selling points for the movie. He would leaf through albums containing hundreds of 3R-size film stills taken on the set of a movie. Usually Yuen did not get a chance to meet the movie stars he drew. "But the ones I drew had a contemporary feel to them." "In the 1970s, film posters in Hong Kong used to be painted in a traditional Chinese artistic style," said Yuen. The movie was a huge box-office hit, leading to several more commissions for Yuen to produce work on the same lines. It was a turning point in his career, says Yuen, now 75. The poster for The Private Eyes was only Yuen's second artwork for a film. Yuen recalled how he manipulated the use of light and shade in the image, making each strand of hair stand out. There's a comic-book feel to the poster - a jokey vibe about it that was a hit with moviegoers as well as cartoon geeks way back in the 1970s. He gazed at his own drawings of the well-known film stars - Hui Koon-man and Hui Koon-kit - set off against a backdrop of bright hues. Yuen Tai-yung stepped up to face a poster he had drawn for the film, The Private Eyes, in 1976. ![]() Stalls like Pop-up Poetry and Bird Eats Fish would bring you a sense of simplicity while experiencing such lovely barter trade.Yuen Tai-yung, who introduced elements of humor and quirkiness to poster art in the golden era of HK films, is back with his latest creations, soon to go on show at Comix Home Base. ![]() Then rewind the tape to record your very own secret-to-be-shared. Music, illustrations, stories, food and beverages, you name it!Īt A Secret To A Stranger, you are invited to exchange your intimate secrets with strangers using cassette tapes, sensing the breath, pause and tone, as if he/she is just next to you. Pavilion for Our Harbour by Jason Lam and Sampson Wong invites you to spend some time alone with our Victoria Harbour Henry Chu’s Shadow Harp transforms human bodies into musical instruments by combining physical gestures with music interfaces. Ten new works themed around light and shadow play, and utilized media such as videos, installations, and kinetic sculptures will bring you an exclusive experience in a free open area.
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